Special Photographic Effects
Wrong Is Right (1982)
Directed by: Richard Brooks
Cinematography by: Fred J. Koenekamp
Edited by: George Grenville
Special Photographic Effects
When Time Ran Out... (1980)
Directed by: James Goldstone
Cinematography by: Fred J. Koenekamp
Optical Consultant
1941 (1979)
Directed by: Steven Spielberg
Cinematography by: William A. Fraker
Edited by: Michael Kahn
Cameras: Panavision Panaflex Series Cameras
Special Photographic Effects
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Visual Effects Designer
Logan's Run (1976)
Directed by: Michael Anderson
Cinematography by: Ernest Laszlo
Edited by: Bob Wyman
Cameras: ARRIFLEX Camera, Mitchell Cameras
Special Photographic Effects
The Towering Inferno (1974)
Directed by: John Guillermin
Cinematography by: Fred J. Koenekamp
Cameras: Panavision Silent Reflex PSR Camera
Special Photographic Effects
Conquest of the Planet of the Apes (1972)
Directed by: J. Lee Thompson
Cinematography by: Bruce Surtees
Special Photographic Effects
Patton (1970)
Directed by: Franklin J. Schaffner
Cinematography by: Fred J. Koenekamp
Edited by: Hugh S. Fowler
Cameras: Mitchell FC 65mm Camera
Special Photographic Effects
Tora! Tora! Tora! (1970)
Special Photographic Effects
Butch Cassidy and the Sundance Kid (1969)
Directed by: George Roy Hill
Cinematography by: Conrad L. Hall
Cameras: Panavision Silent Reflex PSR Camera
Special Photographic Effects
John and Mary (1969)
Directed by: Peter Yates
Cinematography by: Gayne Rescher
Edited by: Frank P. Keller
Special Photographic Effects
The Boston Strangler (1968)
Directed by: Richard Fleischer
Cinematography by: Richard H. Kline
Edited by: Marion Rothman
Special Photographic Effects
The Sand Pebbles (1966)
Directed by: Robert Wise
Cinematography by: Joseph MacDonald
Edited by: William Reynolds
Special Photographic Effects
The Sound of Music (1965)
Directed by: Robert Wise
Cinematography by: Ted D. McCord
Edited by: William Reynolds
Special Photographic Effects
Cleopatra (1963)
Directed by: Joseph L. Mankiewicz
Cameras: Todd-AO 65mm Camera
Lenses: Todd-AO Lenses
Special Photographic Effects
Journey to the Center of the Earth (1959)
Directed by: Henry Levin
Cinematography by: Leo Tover
Special Photographic Effects
Holiday for Lovers (1959)
Directed by: Henry Levin
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Special Photographic Effects
The Diary of Anne Frank (1959)
Directed by: George Stevens
Cinematography by: William C. Mellor
Special Photographic Effects
Warlock (1959)
Directed by: Edward Dmytryk
Cinematography by: Joseph MacDonald
Edited by: Jack W. Holmes
Special Photographic Effects
The Hunters (1958)
Directed by: Dick Powell
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Special Photographic Effects
Rally 'Round the Flag, Boys! (1958)
Directed by: Leo McCarey
Cinematography by: Leon Shamroy
Edited by: Louis R. Loeffler
Special Photographic Effects
The Long, Hot Summer (1958)
Directed by: Martin Ritt
Cinematography by: Joseph LaShelle
Edited by: Louis R. Loeffler
Special Photographic Effects
South Pacific (1958)
Directed by: Joshua Logan
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Cameras: Todd-AO 65mm Camera
Special Photographic Effects
The Young Lions (1958)
Directed by: Edward Dmytryk
Cinematography by: Joseph MacDonald
Edited by: Dorothy Spencer
Special Photographic Effects
The Enemy Below (1957)
Directed by: Dick Powell
Cinematography by: Harold Rosson
Edited by: Stuart Gilmore
Special Photographic Effects
Kiss Them for Me (1957)
Directed by: Stanley Donen
Cinematography by: Milton R. Krasner
Edited by: Robert L. Simpson
Special Photographic Effects
Stopover Tokyo (1957)
Directed by: Richard L. Breen
Cinematography by: Charles G. Clarke
Edited by: Marjorie Fowler
Special Photographic Effects
Peyton Place (1957)
Directed by: Mark Robson
Cinematography by: William C. Mellor
Special Photographic Effects
An Affair to Remember (1957)
Directed by: Leo McCarey
Cinematography by: Milton R. Krasner
Edited by: James B. Clark
Special Photographic Effects
The Three Faces of Eve (1957)
Directed by: Nunnally Johnson
Cinematography by: Stanley Cortez
Edited by: Marjorie Fowler
Special Photographic Effects
Forty Guns (1957)
Directed by: Samuel Fuller
Cinematography by: Joseph F. Biroc
Edited by: Gene Fowler Jr.
