Special Effects
Local Hero (1983)
Directed by: Bill Forsyth
Cinematography by: Chris Menges
Edited by: Michael Bradsell
Visual Effects Supervisor
The Keep (1983)
Directed by: Michael Mann
Cinematography by: Alex Thomson
Cameras: ARRIFLEX 35 BL3 Camera
Special Optical Effects
Excalibur (1981)
Directed by: John Boorman
Cinematography by: Alex Thomson
Cameras: ARRI Cameras, ARRIFLEX 35 BL3 Camera
Optical Effects
The Sea Wolves (1980)
Directed by: Andrew V. McLaglen
Cinematography by: Tony Imi
Edited by: John Glen
Supervisor Of Visual Effects
S.O.S. Titanic (1979)
Directed by: William Hale
Cinematography by: Christopher Challis
Edited by: Rusty Coppleman
Flying Systems & Process Projection
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Optical Effects
A Bridge Too Far (1977)
Directed by: Richard Attenborough
Cinematography by: Geoffrey Unsworth
Edited by: Antony Gibbs
Visual Effects
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
The Last Valley (1971)
Directed by: James Clavell
Edited by: John Bloom
Cameras: Todd-AO 65mm Camera
Special Effects
The Private Life of Sherlock Holmes (1970)
Directed by: Billy Wilder
Cinematography by: Christopher Challis
Edited by: Ernest Walter
Special Effects
Battle of Britain (1969)
Directed by: Guy Hamilton
Cinematography by: Freddie Young
Edited by: Bert Bates
Special Photographic Effects Supervisor
2001: A Space Odyssey (1968)
Directed by: Stanley Kubrick
Cinematography by: Geoffrey Unsworth
Edited by: Ray Lovejoy
Cameras: Super Panavision-70 Camera
Special Effects
Lord Jim (1965)
Directed by: Richard Brooks
Cinematography by: Freddie Young
Edited by: Alan Osbiston
Cameras: Super Panavision-70 Camera
Special Effects
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by: Stanley Kubrick
Cinematography by: Gilbert Taylor
Edited by: Anthony Harvey
Cameras: Mitchell BNC Camera
Special Effects
Lawrence of Arabia (1962)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Anne V. Coates
Cameras: Super Panavision-70 Camera
Assistant Special Effects
Things to Come (1936)
Directed by: William Cameron Menzies
Cinematography by: Georges Périnal
