Minister
'Pretty Little Liars' Til DeAth Do Us PArt (2017)
Directed by: I. Marlene King
Cinematography by: Larry Reibman
Edited by: Jill D'Agnenica
Man
'Justified' Hole in the Wall (2013)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Edited by: Harvey Rosenstock
Man
Justified (2010)
Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller
Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn
Minister
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Bar Voice
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Gov. Rob McCallum
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Carl
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Voice
That Old Feeling (1997)
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Additional Voice
Glengarry Glen Ross (1992)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Announcer
Summer Rental (1985)
Directed by: Carl Reiner
Cinematography by: Ric Waite
Edited by: Bud Molin
Cameras: Panavision Cameras
Peckerman
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Composer: Original Songs
Space Raiders (1983)
Directed by: Howard R. Cohen
Cinematography by: Alec Hirschfeld
Public Defender
Going Berserk (1983)
Directed by: David Steinberg
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Car Thief
Honky Tonk Freeway (1981)
Directed by: John Schlesinger
Cinematography by: John Bailey
Edited by: Jim Clark
Murph
The Blues Brothers (1980)
Directed by: John Landis
Cinematography by: Stephen M. Katz
Edited by: George Folsey Jr.
Mario
The Main Event (1979)
Directed by: Howard Zieff
Cinematography by: Mario Tosi
Edited by: Edward Warschilka
Court Stenographer
Oh, God! (1977)
Directed by: Carl Reiner
Cinematography by: Victor J. Kemper
Edited by: Bud Molin
Piano Player
High Anxiety (1977)
Directed by: Mel Brooks
Cinematography by: Paul Lohmann
Edited by: John C. Howard
Cameras: Panavision Cameras
Lenses: Panavision Lenses
