Co-producer
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Reversal of Fortune (1990)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Co-producer
Blue Steel (1990)
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
Producer
Band of the Hand (1986)
Directed by: Paul Michael Glaser
Cinematography by: Reynaldo Villalobos
Edited by: Jack Hofstra
Unit Production Manager: New York
Brewster's Millions (1985)
Directed by: Walter Hill
Cinematography by: Ric Waite
Special Effects Unit Production Manager
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Unit Production Manager
Eddie Macon's Run (1983)
Directed by: Jeff Kanew
Cinematography by: James A. Contner
Edited by: Jeff Kanew
Assistant Director
Dressed to Kill (1980)
Directed by: Brian De Palma
Cinematography by: Ralf D. Bode
Edited by: Gerald B. Greenberg
First Assistant Director
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
Assistant Director: USA
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Unit Manager: USA
Live and Let Die (1973)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Lenses: Panavision Super Speed Lenses
D.g.a. Trainee
The Godfather (1972)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Editing System: Moviola Editing System
D.g.a. Trainee
The French Connection (1971)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Edited by: Gerald B. Greenberg
Cameras: ARRIFLEX 35 IIC Camera
Lenses: ARRI / Zeiss Lenses
