First Assistant Camera: Second Unit
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Focus Puller: Los Angeles
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock
Additional Assistant Camera
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
First Assistant Camera
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Cameraman
Rain Man (1988)
Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder
Cameras: Panavision Panaflex Camera
Assistant Camera
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses