Construction Electric
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Electrician
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Best Boy
Carlito's Way (1993)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Chief Lighting Technician: New York
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Chief Lighting Technician
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Chief Lighting Technician
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Gaffer
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Electrician
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Best Boy
The Purple Rose of Cairo (1985)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Gaffer
Desperately Seeking Susan (1985)
Directed by: Susan Seidelman
Cinematography by: Edward Lachman
Edited by: Andrew Mondshein
Best Boy
Broadway Danny Rose (1984)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Gaffer: New York
The Hunger (1983)
Directed by: Tony Scott
Cinematography by: Stephen Goldblatt
Edited by: Pamela Power
Best Boy
The King of Comedy (1982)
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Best Boy
The First Deadly Sin (1980)
Directed by: Brian G. Hutton
Cinematography by: Jack Priestley
Edited by: Eric Albertson
Electrician
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
