John W. Weeks

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View from the Top | ShotOnWhat?

Lamp Operator

View from the Top (2003)

Directed by: Bruno Barreto

Cinematography by: Affonso Beato

Edited by: Christopher Greenbury, Ray Hubley, Charles Ireland

Black Dog | ShotOnWhat?

Special Effects Technician

Black Dog (1998)

Directed by: Kevin Hooks

Cinematography by: Buzz Feitshans IV

Edited by: Debra Neil-Fisher, Sabrina Plisco

Money Talks | ShotOnWhat?

Rigging Gaffer

Money Talks (1997)

Directed by: Brett Ratner

Cinematography by: Russell Carpenter, Robert Primes

Edited by: Mark Helfrich

Titanic | ShotOnWhat?

Best Boy Electric

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Jackal | ShotOnWhat?

Special Effects Technician

The Jackal (1997)

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

The Fugitive | ShotOnWhat?

Special Effects Technician

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

The Men's Club | ShotOnWhat?

Best Boy

The Men's Club (1986)

Directed by: Peter Medak

Cinematography by: John Fleckenstein

Edited by: Bill Butler, David Dresher, Cynthia Scheider

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