Colorist: Theatrical Master
One Six Right (2005)
Directed by: Brian J. Terwilliger
Cinematography by: Steven R. Miles
Edited by: Kimberley Furst
Digital Color Correction
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Digital Color Correction
Best Men (1997)
Directed by: Tamra Davis
Cinematography by: James Glennon
Edited by: Paul Trejo
Cameras: Panavision Cameras
Digital Color Correction
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Color Correction
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Digital Color Correction
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Digital Color Correction
Jungle Fever (1991)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Digital Color Correction
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Digital Color Correction
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Digital Color Correction
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Digital Color Correction
The Name of the Rose (1986)
Directed by: Jean-Jacques Annaud
Cinematography by: Tonino Delli Colli
Edited by: Jane Seitz
Digital Color Correction
Silver Bullet (1985)
Directed by: Daniel Attias
Cinematography by: Armando Nannuzzi
Edited by: Daniel Loewenthal
Digital Color Correction
Mask (1985)
Directed by: Peter Bogdanovich
Cinematography by: László Kovács
Edited by: Barbara Ford
Digital Color Correction
Coal Miner's Daughter (1980)
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Arthur Schmidt
Digital Color Correction
The Electric Horseman (1979)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
Colorist - Digital Color Correction
The French Connection (1971)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Edited by: Gerald B. Greenberg
Cameras: ARRIFLEX 35 IIC Camera
Lenses: ARRI / Zeiss Lenses
Digital Color Correction
Fiddler on the Roof (1971)
Directed by: Norman Jewison
Cinematography by: Oswald Morris
Cameras: Panavision Silent Reflex PSR Camera
Digital Color Correction
Tora! Tora! Tora! (1970)
Digital Color Correction
Patton (1970)
Directed by: Franklin J. Schaffner
Cinematography by: Fred J. Koenekamp
Edited by: Hugh S. Fowler
Cameras: Mitchell FC 65mm Camera
Digital Color Correction
Dr. No (1962)
Directed by: Terence Young
Cinematography by: Ted Moore
Edited by: Peter R. Hunt
Cameras: Mitchell BNC Camera
Digital Color Correction
The King and I (1956)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Lenses: Bausch & Lomb Lenses
