Associate Producer: Sherbourne Media
Come Away (2020)
Directed by: Brenda Chapman
Cinematography by: Jules O'Loughlin
Edited by: Dody Dorn
Executive Producer
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Legal Services: U.S., Raskin Gorham Anderson Law For Omeira
First Reformed (2017)
Directed by: Paul Schrader
Cinematography by: Alexander Dynan
Edited by: Benjamin Rodriguez Jr.
Cameras: ARRI ALEXA SXT Series Cameras
Legal: Demarest Films
A Most Wanted Man (2014)
Directed by: Anton Corbijn
Cinematography by: Benoît Delhomme
Edited by: Claire Simpson
Cameras: ARRI ALEXA M Camera
Lenses: Zeiss Super Speed Lenses
Executive Producer
Love, Wedding, Marriage (2011)
Directed by: Dermot Mulroney
Cinematography by: Óttar Guðnason
Edited by: Heather Persons
Executive Producer
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Co-producer
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
