Visual Effects Producer
Born to Be Wild (2011)
Directed by: David Lickley
Cinematography by: David Douglas
Edited by: Beth Spiegel
Visual Effects Producer
Tornado Alley (2011)
Directed by: Sean C. Casey
Cameras: IMAX Cameras, VistaVision Cameras
Visual Effects Producer: Visceral Image Productions, LLC
Journey to Mecca (2009)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Visual Effects Producer
Grand Canyon Adventure: River at Risk (2008)
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Visual Effects Producer
The Alps (2007)
Directed by: Stephen Judson
Cinematography by: Brad Ohlund
Edited by: Stephen Judson
Visual Effects Producer
Dinosaurs Alive (2007)
Cinematography by: William Reeve
Edited by: Stephen L. Johnson
Visual Effects Supervisor
Roar: Lions of the Kalahari (2005)
Directed by: Tim Liversedge
Edited by: Lori Petersen Waite
Titles & Credits Design
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Visual Effects Supervisor: Imagica USA
India: Kingdom of the Tiger (2002)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Lenses: Hasselblad Lenses
Optical Supervisor
Alaska: Spirit of the Wild (1998)
Directed by: George Casey
Cinematography by: Rodney Taylor
Edited by: Tim Huntley
Optical Effects Supervisor: Imagica USA
Amazon (1997)
Directed by: Kieth Merrill
Cinematography by: Mike Hoover
Edited by: Stephen L. Johnson
Visual Effects Supervisor: Imagica USA
Hearst Castle: Building the Dream (1996)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Stephen L. Johnson
Cameras: Iwerks MSM 8870 Camera
Visual Effects Supervisor: Imagica USA
Wild Australia: The Edge (1996)
Directed by: John Weiley
Cinematography by: Tom Cowan
Edited by: Nicholas Holmes
Visual Effects Supervisor: Imagica USA
Into the Deep (1994)
Directed by: Howard Hall
Cinematography by: Noel Archambault
Edited by: Barbara Kerr
Optical Effects Cameraman
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Visual Effects: Perpetual Motion Pictures
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Optical Effects Cameraman
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Optical Effects Cameraman
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Visual Effects Supervisor
Dolly Dearest (1991)
Directed by: Maria Lease
Cinematography by: Eric D. Andersen
Edited by: Geoffrey Rowland
Optical Effects Cameraman
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Visual Effects Supervisor
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Visual Effects Supervisor
The Jewel of the Nile (1985)
Directed by: Lewis Teague
Cinematography by: Jan de Bont
Visual Effects Supervisor
Commando (1985)
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
Optical Effects Supervisor
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Visual Effects Artist
The Concorde... Airport '79 (1979)
Directed by: David Lowell Rich
Cinematography by: Philip H. Lathrop
Edited by: Dorothy Spencer
