Le Père
Magnetic Beats (2021)
Directed by: Vincent Maël Cardona
Cinematography by: Brice Pancot
Edited by: Flora Volpelière
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Technovision Zeiss Standard Speed Anamorphic 100mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 200mm T2.8 Lens, Technovision Zeiss Standard Speed Anamorphic 25mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 32mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 40mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 50mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 85mm T2.1 Lens
Editing System: Avid Editing System
L'homme Chou à La Crème
Main dans la main (2012)
Directed by: Valérie Donzelli
Cinematography by: Sébastien Buchmann
Edited by: Pauline Gaillard
Cameras: ARRI ALEXA Camera
Vincent Clavet
'R.I.S. Police scientifique' Sur le vif (2011)
Directed by: Éric Le Roux
Cinematography by: Dominique Brenguier
Edited by: Bob Rayers
Carvin
'R.I.S. Police scientifique' Tirs croisés (2008)
Directed by: Klaus Biedermann
Cinematography by: Philippe Lenouvel
Carvin
R.I.S. Police scientifique (2006)
Directed by: Klaus Biedermann, Christophe Douchand, Éric Le Roux, Alexandre Laurent, Laurence Katrian, Christophe Barbier, Hervé Brami, Julien Zidi, Jean-Marc Thérin, Dominique Tabuteau, Alain Choquart, François Guérin, Claire de la Rochefoucauld, Hervé Renoh, Jean-Marc Seban, Gilles Béhat, Jérôme Navarro, Julien Despaux, Jean-Marc Rudnicki, Thierry Bouteiller, Vincent Giovanni, Alain Brunard, Gilles Maillard, René Manzor, Olivier Barma
Cinematography by: Dominique Brenguier, Philippe Lenouvel, Bernard Cassan, Laurent Dhainaut, José Gérel, Bernard Malaisy, Pascal Gennesseaux
Edited by: Emmanuel Douce, Bob Rayers, Ludivine Saes, Fabrice Dautcourt, Patrick Zouzout, Dominique B. Martin, Sophie Fourdrinoy, Yann Hervé, Jean de Garrigues, Virginie Parrot, Sophie Cornu, Aurélien Dupont, Lao Fu, Bénédicte Gellé, Valérie Longeville, Marion Monnier, Valéry-Anne Sarcy, Karine Olivier, Pascal Jauffrès, Renaud Ziegler