Digital Post-production: Éclair Numérique
Cosmopolis (2012)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: ARRI ALEXA Camera
Photochemical Post-production Manager
Une semaine sur deux (et la moitié des vacances scolaires) (2009)
Directed by: Ivan Calbérac
Cinematography by: Denis Rouden
Edited by: Véronique Parnet
Color Grader
Heading South (2005)
Directed by: Laurent Cantet
Cinematography by: Pierre Milon
Edited by: Robin Campillo
Color Timer
The Chorus (2004)
Directed by: Christophe Barratier
Edited by: Yves Deschamps
Lenses: Hawk Anamorphic Lenses
Color Timer
Un petit jeu sans conséquence (2004)
Directed by: Bernard Rapp
Cinematography by: Gérard de Battista
Edited by: Lise Beaulieu
Film Grader
Taxi 3 (2003)
Directed by: Gérard Krawczyk
Cinematography by: Gérard Sterin
Edited by: Yann Hervé
Color Timer
Ruby & Quentin (2003)
Directed by: Francis Veber
Cinematography by: Luciano Tovoli
Edited by: Georges Klotz
Timing
No Man's Land (2001)
Directed by: Danis Tanovic
Cinematography by: Walther van den Ende
Edited by: Francesca Calvelli
Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4s Camera
Lenses: Canon Lenses, Cooke S4 Lenses
