Distribution Medium » Film Print

Film Print  |  1319 Titles

Film Print 4.33/5 3 Votes

Rich in Love   (1992)

  |    |  Color  |    |  105 Minutes
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras |

National Lampoon’s European Vacation   (1985)

  |    |  Color  |    |  95 Minutes
Directed by | Amy Heckerling | Cinematography by | Robert Paynter | Editing by | Pembroke J. Herring
Cameras |

The Russian Specialist   (2005)

  |    |  Color  |    |  94 Minutes
Directed by | Dolph Lundgren | Cinematography by | Ross W. Clarkson | Editing by | Joe Plenys
Cameras |

Despair   (1978)

  |    |  Color  |    |  119 Minutes

God Don’t Make the Laws   (2011)

  |    |  Color  |    |  100 Minutes
Directed by | David Sabbath | Cinematography by | Adam N. White | Editing by | David Sabbath
Cameras |

Dead Man Walking   (1995)

  |    |  Color  |    |  122 Minutes
Directed by | Tim Robbins | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin, Ray Hubley
Cameras |

Midnight in the Garden of Good and Evil   (1997)

  |    |  Color  |    |  155 Minutes
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras |

Planes, Trains & Automobiles   (1987)

  |    |  Color  |    |  93 Minutes
Directed by | John Hughes | Cinematography by | Donald Peterman | Editing by | Paul Hirsch
Cameras |

Eddie and the Cruisers   (1983)

  |    |  Color  |    |  95 Minutes
Directed by | Martin Davidson | Cinematography by | Fred Murphy | Editing by | Priscilla Nedd-Friendly
Cameras |

Cocktail   (1988)

  |    |  Color  |    |  104 Minutes
Directed by | Roger Donaldson | Cinematography by | Dean Semler | Editing by | Neil Travis
Cameras |

Lovers: A True Story   (1991)

  |    |  Color  |    |  103 Minutes
Directed by | Vicente Aranda | Cinematography by | José Luis Alcaine | Editing by | Teresa Font
Cameras |

Dead of Winter   (1987)

  |    |  Color  |    |  100 Minutes
Directed by | Arthur Penn | Cinematography by | Jan Weincke | Editing by | Rick Shaine
Cameras |

Cavegirl   (1985)

  |    |  Color  |    |  85 Minutes
Directed by | David Oliver Pfeil | Cinematography by | David Oliver Pfeil | Editing by | Robert Field
Cameras |

I Know What You Did Last Summer   (1997)

  |    |  Color  |    |  101 Minutes
Directed by | Jim Gillespie | Cinematography by | Denis Crossan | Editing by | Steve Mirkovich
Cameras |

The Omen   (2006)

  |    |  Color  |    |  110 Minutes
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras |

The American Friend   (1977)

  |    |  Color  |    |  125 Minutes
Directed by | Wim Wenders | Cinematography by | Robby Müller | Editing by | Peter Przygodda
Cameras |

Family Resemblances   (1996)

  |    |  Color  |    |  110 Minutes

WarGames   (1983)

  |    |  Color  |    |  114 Minutes
Directed by | John Badham | Cinematography by | William A. Fraker | Editing by | Tom Rolf
Cameras |

Chelsea on the Rocks   (2008)

  |    |  Color  |    |  89 Minutes
Directed by | Abel Ferrara | Cinematography by | David Hausen, Ken Kelsch | Editing by | Langdon Page
Cameras |

Bed of Roses   (1996)

  |    |  Color  |    |  87 Minutes
Directed by | Michael Goldenberg | Cinematography by | Adam Kimmel | Editing by | Jane Kurson
Cameras |