Grant Spencer

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"1923" One Ocean Closer to Destiny | ShotOnWhat?

Head Of Resources: Outpost VFX

'1923' One Ocean Closer to Destiny (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Todd Desrosiers, Chad Galster

"1923" Nothing Left to Lose | ShotOnWhat?

Head Of Resources: Outpost VFX

'1923' Nothing Left to Lose (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe

Napoleon | ShotOnWhat?

Head Of Resources: Outpost VFX

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Lenses, Panavision Lenses

1923 | ShotOnWhat?

Head Of Resources: Outpost VFX - 4 Episodes, 2022-2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

"1923" 1923 | ShotOnWhat?

Head Of Resources: Outpost VFX

'1923' 1923 (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

"1923" Nature's Empty Throne | ShotOnWhat?

Head Of Resources: Outpost VFX

'1923' Nature's Empty Throne (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Byron Smith

Glass Onion | ShotOnWhat?

Head Of Resources: Outpost VFX

Glass Onion (2022)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Zeiss Supreme Prime Series Lenses

No Time to Die | ShotOnWhat?

Visual Effects Production Assistant: Outpost VFX

No Time to Die (2021)

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

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