Mark Sean Haynes

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Waves | ShotOnWhat?

Post-production Supervisor

Waves (2019)

Directed by: Trey Edward Shults

Cinematography by: Drew Daniels

Edited by: Isaac Hagy, Trey Edward Shults

Cameras: ARRI ALEXA Mini Camera

Uncut Gems | ShotOnWhat?

Post-production Supervisor

Uncut Gems (2019)

Directed by: Benny Safdie, Josh Safdie

Cinematography by: Darius Khondji

Edited by: Ronald Bronstein, Benny Safdie

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Beyond the Night | ShotOnWhat?

Post-production Supervisor

Beyond the Night (2018)

Directed by: Jason Noto

Cinematography by: Daniel Sharnoff

Edited by: Kathryn J. Schubert

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus Camera

Lenses: Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens

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