Production Manager, Visual Effects Production Manager
'1923' The War Has Come Home (2023)
Directed by: Ben Richardson
Edited by: Chad Galster
Production Manager, Visual Effects Production Manager
'1923' War and the Turquoise Tide (2023)
Directed by: Ben Richardson
Production Manager, Visual Effects Production Manager
'1923' Ghost of Zebrina (2023)
Directed by: Guy Ferland
Cinematography by: Robert McLachlan
Edited by: Christopher Gay
Production Manager, Visual Effects Production Manager
'1923' The Rule of Five Hundred (2023)
Directed by: Ben Richardson
Edited by: Christopher Gay
Production Manager, Visual Effects Production Manager
'1923' Nothing Left to Lose (2023)
Directed by: Ben Richardson
Production Manager - 7 Episodes, 2022-2023, Visual Effects Production Manager - 7 Episodes, 2022-2023
1923 (2022)
Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Production Manager, Visual Effects Production Manager
'1923' 1923 (2022)
Directed by: Ben Richardson
Edited by: Chad Galster
Production Manager, Visual Effects Production Manager
'1923' Nature's Empty Throne (2022)
Directed by: Ben Richardson
Visual Effects Coordinator: Pixomondo
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Visual Effects Coordinator
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Visual Effects Coordinator
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Visual Effects Coordinator
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Visual Effects Coordinator
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects Coordinator
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses