Angela Ellis

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The Equalizer | ShotOnWhat?

Data Manager

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Way Way Back | ShotOnWhat?

Data Manager: Zero VFX

The Way Way Back (2013)

Directed by: Nat Faxon, Jim Rash

Cinematography by: John Bailey

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

American Hustle | ShotOnWhat?

Visual Effects Data Manager: Zero

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Here Comes the Boom | ShotOnWhat?

Data Manager

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Project X | ShotOnWhat?

Visual Effects Data Manager

Project X (2012)

Directed by: Nima Nourizadeh

Cinematography by: Ken Seng

Edited by: Jeff Groth

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses: Canon Lenses

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