Bethany Bilsky

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American Sniper | ShotOnWhat?

Creative Executive: Mad Chance

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jonah Hex | ShotOnWhat?

Creative Executive: Mad Chance

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I Love You Phillip Morris | ShotOnWhat?

Co-producer: Mad Chance, Creative Executive: Mad Chance

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

Get Smart | ShotOnWhat?

Associate Producer: Mad Chance, Creative Executive: Mad Chance Productions

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Catch That Kid | ShotOnWhat?

Set Production Assistant

Catch That Kid (2004)

Directed by: Bart Freundlich

Cinematography by: Julio Macat

Edited by: Stuart Levy

S.W.A.T. | ShotOnWhat?

Set Production Assistant

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

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