John P. Austin

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1941 | ShotOnWhat?

Set Decorator

1941 (1979)

Directed by: Steven Spielberg

Cinematography by: William A. Fraker

Edited by: Michael Kahn

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision C Series Anamorphic Lenses

Mikey and Nicky | ShotOnWhat?

Set Decorator

Mikey and Nicky (1976)

Directed by: Elaine May

Cinematography by: Bernie Abramson, Lucien Ballard, Jack Cooperman, Jerry File, Victor J. Kemper

Edited by: John Carter, Sheldon Kahn

What's Up, Doc? | ShotOnWhat?

Set Decorator

What's Up, Doc? (1972)

Directed by: Peter Bogdanovich

Cinematography by: László Kovács

Edited by: Verna Fields

Diamonds Are Forever | ShotOnWhat?

Set Decorator

Diamonds Are Forever (1971)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, John W. Holmes

Cameras: ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses, Panavision Lenses

Coogan's Bluff | ShotOnWhat?

Set Decorator

Coogan's Bluff (1968)

Directed by: Don Siegel

Cinematography by: Bud Thackery, Robert Surtees

Edited by: Sam E. Waxman

Kitten with a Whip | ShotOnWhat?

Set Decorator

Kitten with a Whip (1964)

Directed by: Douglas Heyes

Cinematography by: Joseph F. Biroc

Edited by: Russell F. Schoengarth

Come September | ShotOnWhat?

Set Decorations

Come September (1961)

Directed by: Robert Mulligan

Cinematography by: William H. Daniels

Edited by: Russell F. Schoengarth

Lenses: Panavision Lenses

Touch of Evil | ShotOnWhat?

Set Decorations

Touch of Evil (1958)

Directed by: Orson Welles

Cinematography by: Russell Metty

Edited by: Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss

Cameras: Mitchell BNC Camera, Mitchell NC Camera

A Double Life | ShotOnWhat?

Set Decorator

A Double Life (1947)

Directed by: George Cukor

Cinematography by: Milton R. Krasner

Edited by: Robert Parrish

Cameras: Mitchell BNC Camera

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