Lisa Elrod

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Transcendence | ShotOnWhat?

Second Assistant Accountant

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Lone Ranger | ShotOnWhat?

Construction Office Production Assistant

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

2 Guns | ShotOnWhat?

Second Assistant Accountant: New Mexico

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Goats | ShotOnWhat?

Accounting Clerk: Albuquerque, New Mexico

Goats (2012)

Directed by: Christopher Neil

Cinematography by: Wyatt Troll

Edited by: Jeremiah O'Driscoll

Gambit | ShotOnWhat?

Accounting Clerk: New Mexico Unit

Gambit (2012)

Directed by: Michael Hoffman

Cinematography by: Florian Ballhaus

Edited by: Paul Tothill

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

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