Production Coordinator
'In Plain Sight' Four Marshals and a Baby (2012)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Production Coordinator
'In Plain Sight' The Merry Wives of Witsec (2012)
Directed by: Michael Fields
Production Coordinator
'In Plain Sight' Drag Me to Hell (2012)
Directed by: Bethany Rooney
Cinematography by: John B. Aronson
Production Coordinator
'In Plain Sight' The Medal of Mary (2012)
Directed by: Dan Lerner
Edited by: Josh Beal
Production Coordinator
'In Plain Sight' Girls, Interrupted (2011)
Directed by: Lee Rose
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Production Coordinator
'In Plain Sight' Provo-Cation (2011)
Directed by: Bryan Spicer
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Production Coordinator
'In Plain Sight' A Womb with a View (2011)
Directed by: Bethany Rooney
Edited by: Regis Kimble
Production Coordinator
'In Plain Sight' The Art of the Steal (2011)
Directed by: Dan Lerner
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Production Coordinator
'In Plain Sight' The Rolling Stones (2011)
Directed by: David Warren
Cinematography by: John B. Aronson
Edited by: Regis Kimble
Production Coordinator
'In Plain Sight' Kumar vs Kumar (2011)
Directed by: Michael Fields
Edited by: Jennifer Barbot
Production Coordinator
'In Plain Sight' I'm a Liver Not a Fighter (2011)
Directed by: Michael W. Watkins
Production Coordinator
'In Plain Sight' Something A-mish (2011)
Directed by: Dan Lerner
Edited by: Regis Kimble
Production Coordinator
'In Plain Sight' Second Crime Around (2011)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Production Coordinator
'In Plain Sight' Love in the Time of Colorado (2011)
Directed by: Michael Schultz
Edited by: Regis Kimble
Production Coordinator
'In Plain Sight' Crazy Like a Witness (2011)
Directed by: Matthew Penn
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Production Coordinator
'In Plain Sight' Something Borrowed, Something Blew Up (2011)
Directed by: Michael Morris
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Production Coordinator
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Co-production Coordinator
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Production Coordinator: New Mexico
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Production Coordinator - 20 Episodes, 2011-2012
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Production Coordinator: New Mexico
Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
Assistant Production Coordinator
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Production Coordinator
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Assistant Production Coordinator
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Production Secretary
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Second Second Assistant Director
Break Up (1998)
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn
Second Assistant Director
Gunshy (1998)
Directed by: Jeff Celentano
Cinematography by: John B. Aronson
Edited by: Andy Horvitch