Continuity
Il Futuro (2013)
Directed by: Alicia Scherson
Cinematography by: Ricardo DeAngelis
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Lenses
Script Supervisor
Tutti al mare (2011)
Directed by: Matteo Cerami
Cinematography by: Maurizio Calvesi
Script Supervisor
The Anniversary at Shallow Creek (2011)
Directed by: Jon D. Wagner
Cinematography by: Matt Mosher
Edited by: Jon D. Wagner
Script Supervisor
Sette opere di misericordia (2011)
Cinematography by: Piero Basso
Edited by: Stefano Cravero
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Script Supervisor
Atlantis Down (2010)
Directed by: Max Bartoli
Cinematography by: Eric Hurt
Edited by: Arzu Volkan