Stereo Production Supervisor: Stereo D
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Rick, Second Assistant Director
Dorothy and the Witches of Oz (2012)
Directed by: Leigh Scott
Cinematography by: Leigh Scott
Visual Effects Coordinator
Mega Shark vs. Giant Octopus (2009)
Directed by: Jack Perez
Cinematography by: Alexander Yellen
Edited by: Marq Morrison
Visual Effects Supervisor
Chrome Angels (2009)
Directed by: Leigh Scott
Cinematography by: Steven Parker
Edited by: Kristen Quintrall
Cameras: Red One Camera
Post-production Supervisor
Supercroc (2007)
Directed by: Scott Harper
Cinematography by: Steven Parker
Edited by: David Michael Latt
Post-production Supervisor
30,000 Leagues Under the Sea (2007)
Directed by: Gabriel Bologna
Cinematography by: Mark Atkins
Edited by: Matthew Alson Thornbury
Cameras: Sony HDW-F900 Camera
Post-production Supervisor
The Apocalypse (2007)
Directed by: Justin Jones
Cinematography by: Adam Silver
Edited by: Kristen Quintrall
Post-production Supervisor, Taggart
Transmorphers (2007)
Directed by: Leigh Scott
Cinematography by: Steven Parker
Post-production Supervisor
The Hitchhiker (2007)
Directed by: Leigh Scott
Cinematography by: Steven Parker
Cameras: Sony HDW-F900 Camera
Post-production Supervisor
Night of the Dead: Leben Tod (2006)
Directed by: Eric Forsberg
Edited by: Mary Ann Skweres
