Colorist, Post-production Supervisor
Press (2016)
Cinematography by: Federico Torres
Cameras: Red Epic Dragon Camera
Lenses: Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
Post-production Supervisor
Più buio di mezzanotte (2014)
Directed by: Sebastiano Riso
Cinematography by: Piero Basso
Edited by: Marco Spoletini
Cameras: ARRI ALEXA Studio Camera
Post-production Supervisor, Visual Effects Supervisor
Sentirsidire - Quello che i genitori non vorrebbero mai (2010)
Directed by: Giuseppe Lazzari
Cinematography by: Luca Coassin
Post-production Manager
20 sigarette (2010)
Directed by: Aureliano Amadei
Cinematography by: Vittorio Omodei Zorini
Edited by: Alessio Doglione
Cameras: ARRIFLEX 416 Camera
Protools Consultant
Days and Clouds (2007)
Directed by: Silvio Soldini
Cinematography by: Ramiro Civita
Edited by: Carlotta Cristiani
Cameras: ARRICAM Lite (LT) Camera
Protools Consultant
I Viceré (2007)
Directed by: Roberto Faenza
Cinematography by: Maurizio Calvesi
Edited by: Massimo Fiocchi
Cameras: Moviecam Compact Camera
Protools Consultant
I'm Not Scared (2003)
Directed by: Gabriele Salvatores
Cinematography by: Italo Petriccione
Edited by: Massimo Fiocchi
Protools Consultant
Life Is Beautiful (1997)
Directed by: Roberto Benigni
Cinematography by: Tonino Delli Colli
Edited by: Simona Paggi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Protools Consultant
Stealing Beauty (1996)
Directed by: Bernardo Bertolucci
Cinematography by: Darius Khondji
Edited by: Pietro Scalia
