Matthew Goodman

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Shrek | ShotOnWhat?

Post-production Supervisor - International Release

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

How the Grinch Stole Christmas | ShotOnWhat?

Post-production Supervisor: North American Release

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Post-production Supervisor - US And Latin American Release

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Titanic | ShotOnWhat?

Post-production Assistant, Production Assistant

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Spawn | ShotOnWhat?

Production Associate

Spawn (1997)

Directed by: Mark A.Z. Dippé

Cinematography by: Guillermo Navarro

Edited by: Todd Busch, Michael N. Knue

Campfire Tales | ShotOnWhat?

Production Coordinator

Campfire Tales (1997)

Directed by: Matt Cooper, Martin Kunert, David Semel

Cinematography by: John Peters

Edited by: Luis Colina, Rick Fields, Steven Nevius, Martin Kunert

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