Colorist
The Bunker (2001)
Directed by: Rob Green
Cinematography by: John Pardue
Edited by: Richard Milward
Colorist
Vatel (2000)
Directed by: Roland Joffé
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Telecine Colorist
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Colorist
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Colorist: Rushes
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Colorist: Rushes
Hamlet (1996)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell