Special Still Photographer
The Name of the Rose (1986)
Directed by: Jean-Jacques Annaud
Cinematography by: Tonino Delli Colli
Edited by: Jane Seitz
Special Still Photographer
Excalibur (1981)
Directed by: John Boorman
Cinematography by: Alex Thomson
Cameras: ARRI Cameras, ARRIFLEX 35 BL3 Camera
Special Still Photographer
Klute (1971)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Carl Lerner
Cameras: Panavision Cameras
Special Still Photographer
The Horsemen (1971)
Directed by: John Frankenheimer
Edited by: Harold F. Kress
Special Still Photographer
Catch-22 (1970)
Directed by: Mike Nichols
Cinematography by: David Watkin
Edited by: Sam O'Steen
Special Still Photographer
Ryan's Daughter (1970)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Norman Savage
Cameras: Super Panavision-70 Camera
Lenses: Panavision Lenses
Special Still Photographer
The Graduate (1967)
Directed by: Mike Nichols
Cinematography by: Robert Surtees
Edited by: Sam O'Steen
Special Still Photographer
Who's Afraid of Virginia Woolf? (1966)
Directed by: Mike Nichols
Cinematography by: Haskell Wexler
Edited by: Sam O'Steen
Special Still Photographer
A Man for All Seasons (1966)
Directed by: Fred Zinnemann
Cinematography by: Ted Moore
Edited by: Ralph Kemplen
Still Photographer
My Fair Lady (1964)
Directed by: George Cukor
Cinematography by: Harry Stradling Sr.
Edited by: William H. Ziegler
Cameras: Super Panavision-70 Camera
Special Still Photographer
Ocean's 11 (1960)
Directed by: Lewis Milestone
Cinematography by: William H. Daniels
Edited by: Philip W. Anderson
Special Still Photographer
Green Mansions (1959)
Directed by: Mel Ferrer
Cinematography by: Joseph Ruttenberg
Edited by: Ferris Webster
Special Still Photographer
Bonjour Tristesse (1958)
Directed by: Otto Preminger
Cinematography by: Georges Périnal
Edited by: Helga Cranston