Luke Heathcock

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Spider-Man: Into the Spider-Verse | ShotOnWhat?

Lead Lighting & Compositing Artist

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

The Amazing Spider-Man 2 | ShotOnWhat?

Lighting And Look-dev: SPI

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Interview | ShotOnWhat?

Visual Effects: Lighting Technical Director: SPI

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Smurfs 2 | ShotOnWhat?

Lighting And Compositing: SPI

The Smurfs 2 (2013)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Sabrina Plisco

Cameras: Sony CineAlta F65 Camera

The Amazing Spider-Man | ShotOnWhat?

Lighting Artist: SPI

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Fantastic Flying Books of Mr. Morris Lessmore | ShotOnWhat?

Lead Lighter & Compositor: Moonbot

The Fantastic Flying Books of Mr. Morris Lessmore (2011)

Directed by: William Joyce, Brandon Oldenburg

Cinematography by: Stewart Mayer

Edited by: Eva Contis

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