Sound Designer / Supervising Sound Editor
Dobermann (1997)
Directed by: Jan Kounen
Cinematography by: Michel Amathieu
Sound Effects / Supervising Sound Editor
Stone Cold (1991)
Directed by: Craig R. Baxley
Cinematography by: Alexander Gruszynski
Sound Effects / Supervising Sound Editor
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Sound Effects
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Sound Effects, Supervising Sound Editor
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Sound Effects Editor
Poltergeist III (1988)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Sound Designer: Los Angeles
Prizzi's Honor (1985)
Directed by: John Huston
Cinematography by: Andrzej Bartkowiak
Sound Editor
The Day After (1983)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Cameras: Panavision Cameras
