Camera Operator
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Camera Operator
Into the Badlands (1991)
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Camera Operator: Second Unit
The Great Outdoors (1988)
Directed by: Howard Deutch
Cinematography by: Ric Waite
Camera Operator: Second Unit
Dragnet (1987)
Directed by: Tom Mankiewicz
Cinematography by: Matthew F. Leonetti
Camera Operator
Fatal Beauty (1987)
Directed by: Tom Holland
Cinematography by: David M. Walsh
Edited by: Don Zimmerman
Camera Operator
An Officer and a Gentleman (1982)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Edited by: Peter Zinner
Camera Operator: Los Angeles
Let's Spend the Night Together (1982)
Directed by: Hal Ashby
Edited by: Lisa Day
Camera Operator
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford
Camera Operator
The Cannonball Run (1981)
Directed by: Hal Needham
Cinematography by: Michael C. Butler
Camera Operator
The Hollywood Knights (1980)
Directed by: Floyd Mutrux
Cinematography by: William A. Fraker
Camera Operator
The Last Word (1979)
Directed by: Roy Boulting
Cinematography by: Jules Brenner
Edited by: George Grenville
Camera Operator
1941 (1979)
Directed by: Steven Spielberg
Cinematography by: William A. Fraker
Edited by: Michael Kahn
Cameras: Panavision Panaflex Series Cameras
Camera Operator
Telefon (1977)
Directed by: Don Siegel
Cinematography by: Michael C. Butler
Edited by: Douglas Stewart
Camera Operator
The Missouri Breaks (1976)
Directed by: Arthur Penn
Cinematography by: Michael C. Butler
Camera Operator
One Flew Over the Cuckoo's Nest (1975)
Directed by: Milos Forman
Cinematography by: Haskell Wexler
Assistant Cameraman
What's Up, Doc? (1972)
Directed by: Peter Bogdanovich
Cinematography by: László Kovács
Edited by: Verna Fields
First Assistant Camera
The King of Marvin Gardens (1972)
Directed by: Bob Rafelson
Cinematography by: László Kovács
Edited by: John F. Link