Keith Barish

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U.S. Marshals | ShotOnWhat?

Executive Producer

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

Last Action Hero | ShotOnWhat?

Keith Barish

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Fugitive | ShotOnWhat?

Executive Producer

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

Her Alibi | ShotOnWhat?

Producer

Her Alibi (1989)

Directed by: Bruce Beresford

Cinematography by: Freddie Francis

Edited by: Anne Goursaud

The Running Man | ShotOnWhat?

Executive Producer

The Running Man (1987)

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

9½ Weeks | ShotOnWhat?

Executive Producer

9½ Weeks (1986)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Caroline Biggerstaff, Ed Hansen, Tom Rolf, Mark Winitsky

Big Trouble in Little China | ShotOnWhat?

Executive Producer

Big Trouble in Little China (1986)

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Steve Mirkovich, Mark Warner, Edward A. Warschilka

Cameras: Panavision Cameras

Sophie's Choice | ShotOnWhat?

Producer

Sophie's Choice (1982)

Directed by: Alan J. Pakula

Cinematography by: Néstor Almendros

Edited by: Evan A. Lottman

Kiss Me Goodbye | ShotOnWhat?

Executive Producer

Kiss Me Goodbye (1982)

Directed by: Robert Mulligan

Cinematography by: Donald Peterman

Edited by: Sheldon Kahn

Cameras: Panavision Cameras

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