W. Michael Beard

  17 Titles
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Post Production Supervisor

'Hemlock Grove' In Poor Taste  (2013)

Directed by: David Semel
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day

Post Production Supervisor

'Hemlock Grove' Hello, Handsome  (2013)

Directed by: David Semel
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day

Post Production Supervisor

'Hemlock Grove' The Crucible  (2013)

Directed by: Deran Sarafian
Cinematography by: Fernando Argüelles
Edited by: Don Cassidy

Post Production Supervisor

'Hemlock Grove' Measure of Disorder  (2013)

Directed by: Deran Sarafian
Cinematography by: Fernando Argüelles
Edited by: Jim Munro

Post Production Supervisor

'Hemlock Grove' Catabasis  (2013)

Directed by: David Straiton
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day

Post Production Supervisor

'Hemlock Grove' What God Wants  (2013)

Directed by: T.J. Scott
Cinematography by: Fernando Argüelles
Edited by: Roger Mattiussi

Post Production Supervisor

'Hemlock Grove' Birth  (2013)

Directed by: Deran Sarafian
Cinematography by: Fernando Argüelles
Edited by: Don Cassidy

Post Production Supervisor

'Hemlock Grove' The Price  (2013)

Directed by: T.J. Scott
Cinematography by: Fernando Argüelles
Edited by: Jim Munro

Post-production Supervisor

Saw III  (2006)

Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert

Visual Effects Producer

The Marsh  (2006)

Directed by: Jordan Barker
Cinematography by: David Perrault
Edited by: Nick Rotundo

Post-production Supervisor

Water  (2005)

Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie

Post-production Supervisor

Saw II  (2005)

Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert

Senior Post-production Supervisor

Bone Daddy  (1998)

Directed by: Mario Azzopardi
Cinematography by: Danny Nowak
Edited by: Dean Balser

Post-production Supervisor

While My Pretty One Sleeps  (1997)

Directed by: Jorge Montesi
Cinematography by: Malcolm Cross
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