Re-recording Mixer / Supervising Sound Editor
Full Clip (2006)
Directed by: mink
Cinematography by: M. Dietrick Schumacher
Edited by: Don Pollard
Re-recording Mixer
Erosion (2005)
Directed by: Ann Lu
Cinematography by: Neal Fredericks
Edited by: Anthony Cava
Re-recording Mixer / Supervising Sound Editor
L.A. Twister (2004)
Directed by: Sven Pape
Cinematography by: Patrice Lucien Cochet
Re-recording Mixer
Girl Play (2004)
Directed by: Lee Friedlander
Cinematography by: Michael Negrin
Edited by: Christian White
Re-recording Mixer
To Kill a Mockumentary (2004)
Directed by: Stephen Wallis
Cinematography by: Thomas L. Callaway
Edited by: Christopher Roth
Re-recording Mixer / Supervising Sound Mixer: SoundTrax
Burning Annie (2004)
Directed by: Van Flesher
Cinematography by: Stephan Schultze
Sound Re-recording Mixer: English Re-mix
Tian di ying xiong (2003)
Directed by: Ping He
Cinematography by: Fei Zhao
Edited by: Jinlei Kong
Re-recording Mixer
Drive by (2002)
Directed by: Juan Frausto
Cinematography by: Gene Balitski
Edited by: Juan Frausto
Re-recording Mixer / Supervising Sound Editor
Angels Don't Sleep Here (2002)
Directed by: Paul Cade
Cinematography by: George Mooradian
Edited by: Kristopher Lease
Re-recording Mixer
American Gun (2002)
Directed by: Alan Jacobs
Cinematography by: Phil Parmet
Edited by: Paul Millspaugh
Re-recording Mixer / Sound Editor
Outta Time (2002)
Directed by: Lorena David
Cinematography by: Lisa Wiegand
Edited by: Allan Spencer Wall
Re-recording Mixer / Supervising Sound Editor
Thank You, Good Night (2001)
Directed by: D. Charles Griffith
Cinematography by: Matthew Irving
Re-recording Mixer
Childhood (2001)
Directed by: Sergei Davidoff
Cinematography by: Vladimir Burlachenko
Re-recording Mixer / Supervising Sound Editor
Love Song (2000)
Directed by: Julie Dash
Cinematography by: David Claessen
Edited by: Pamela Malouf
Re-recording Mixer
Girl (1998)
Directed by: Jonathan Kahn
Cinematography by: Tami Reiker
Edited by: Gillian L. Hutshing
Re-recording Mixer
Fait Accompli (1998)
Directed by: Andrzej Sekula
Cinematography by: Andrzej Sekula
Sound Editor
Still Kicking: The Fabulous Palm Springs Follies (1997)
Directed by: Mel Damski
Cinematography by: Scott Lloyd-Davies
Edited by: Nancy Morrison
Re-recording Mixer
My Stepson, My Lover (1997)
Directed by: Mary Lambert
Cinematography by: Brian Capener
Edited by: Sharyn L. Ross
Sound Recording Mixer
What Love Sees (1996)
Directed by: Michael Switzer
Cinematography by: Robert Draper
Edited by: Mark W. Rosenbaum
Re-recording Mixer
Deadly Outbreak (1995)
Directed by: Rick Avery
Cinematography by: Avi Koren
Edited by: Alain Jakubowicz
Re-recording Mixer , Sound Editor
Amityville: A New Generation (1993)
Directed by: John Murlowski
Cinematography by: Wally Pfister
Edited by: Rick Finney
Re-recording Mixer
Love, Lies & Lullabies (1993)
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: James Mitchell
Re-recording Mixer / Supervising Sound Editor
Maniac Cop 3: Badge of Silence (1993)
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Sound Re-recordist
Amityville 1992: It's About Time (1992)
Directed by: Tony Randel
Cinematography by: Christopher Taylor
Edited by: Rick Finney
Re-recording Mixer / Supervising Sound Editor
Something to Live for: The Alison Gertz Story (1992)
Directed by: Tom McLoughlin
Cinematography by: Shelly Johnson
Re-recording Mixer / Supervising Sound Editor
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Re-recording Mixer / Supervising Sound Editor
Dillinger (1991)
Directed by: Rupert Wainwright
Cinematography by: Donald M. Morgan
Re-recording Mixer / Supervising Sound Editor
Daughters of the Dust (1991)
Directed by: Julie Dash
Cinematography by: Arthur Jafa
Cameras: ARRI Cameras
Editing System: K.E.M. Editing System, Steenbeck Editing System
Re-recording Mixer / Supervising Sound Editor
Everybody's Baby: The Rescue of Jessica McClure (1989)
Directed by: Mel Damski
Cinematography by: Shelly Johnson
Edited by: Ron Binkowski
Cameras: Panavision Cameras
Post-production Sound
Where the Hell's That Gold?!!? (1988)
Directed by: Burt Kennedy
Cinematography by: John Elsenbach
Edited by: Warner E. Leighton
Cameras: Panavision Cameras
Post-production Sound
Dance 'Til Dawn (1988)
Directed by: Paul Schneider
Cinematography by: Stevan Larner
Edited by: Scott K. Wallace
Sound Effects: Soundtrax - American Crew
Yellowbeard (1983)
Directed by: Mel Damski
Cinematography by: Gerry Fisher
Edited by: William Reynolds
Sound Effects Editor
The Competition (1980)
Directed by: Joel Oliansky
Cinematography by: Richard H. Kline
Edited by: David E. Blewitt
Sound Effects Editor
Seems Like Old Times (1980)
Directed by: Jay Sandrich
Cinematography by: David M. Walsh
Edited by: Michael A. Stevenson
Sound Effects Editor
Airplane! (1980)
Cinematography by: Joseph F. Biroc
Edited by: Patrick Kennedy
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
