Digital Imaging
Blur (2007)
Directed by: Nick Briscoe
Cinematography by: Paul Van Haute
Edited by: Isaac Mell
Titles & Opticals: Duart Digital, Visual Effects
A Guide to Recognizing Your Saints (2006)
Directed by: Dito Montiel
Cinematography by: Eric Gautier
Digital Opticals: Duart Digital, Titles: Duart Digital
The Squid and the Whale (2005)
Directed by: Noah Baumbach
Cinematography by: Robert D. Yeoman
Edited by: Tim Streeto
Cameras: ARRIFLEX 16SR3 Camera
Lenses: Zeiss Super Speed Lenses
Digital Imaging, End Titles
Loggerheads (2005)
Directed by: Tim Kirkman
Cinematography by: Oliver Bokelberg
Edited by: Caitlin Dixon
Cameras: ARRI Cameras
Visual Effects
Broken Flowers (2005)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Lenses: Zeiss Variable Prime Lenses
Opticals: Duart Digital, Title Designer: Duart Digital
Transamerica (2005)
Directed by: Duncan Tucker
Cinematography by: Stephen Kazmierski
Edited by: Pam Wise
Titles And Opticals: Duart
The Woodsman (2004)
Directed by: Nicole Kassell
Cinematography by: Xavier Grobet
Visual Effects
Little Erin Merryweather (2003)
Cinematography by: Michael Marius Pessah
Cameras: ARRI Cameras
Digital Artist
My Architect (2003)
Directed by: Nathaniel Kahn
Cinematography by: Robert Richman
Edited by: Sabine Krayenbühl
Visual Effects
Bomb the System (2002)
Directed by: Adam Bhala Lough
Cinematography by: Ben Kutchins
Edited by: Jay Rabinowitz
Visual Effects
Tadpole (2002)
Directed by: Gary Winick
Cinematography by: Hubert Taczanowski
Edited by: Susan Littenberg
Visual Effects
Interview with the Assassin (2002)
Directed by: Neil Burger
Cinematography by: Richard Rutkowski
Edited by: Brad Fuller
Cameras: Sony DSR-PD150 Camera
Digital Effects Artist
Ball in the House (2001)
Directed by: Tanya Wexler
Cinematography by: Gero Steffen
Edited by: Meg Reticker
