Guillaume Poirson

6 Titles

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The Transporter Refueled | ShotOnWhat?

Digital Imaging Technician

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Lucy | ShotOnWhat?

Digital Imaging Technician

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Le temps des aveux | ShotOnWhat?

Data Wrangler: Dailies

Le temps des aveux (2014)

Directed by: Régis Wargnier

Cinematography by: Renaud Chassaing

Edited by: Véronique Lange, Yann Malcor

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Les trois frères, le retour | ShotOnWhat?

Data Wrangler: Dailies

Les trois frères, le retour (2014)

Directed by: Didier Bourdon, Bernard Campan, Pascal Légitimus

Cinematography by: Pascal Caubère

Edited by: Jeanne Kef

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

En solitaire | ShotOnWhat?

Data Wrangler: Dailies

En solitaire (2013)

Directed by: Christophe Offenstein

Cinematography by: Guillaume Schiffman

Edited by: Ruy Diaz, Véronique Lange

Cameras: Red Epic Camera, Red Scarlet Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

La horde | ShotOnWhat?

Workflow Supervisor

La horde (2009)

Directed by: Yannick Dahan, Benjamin Rocher

Cinematography by: Julien Meurice

Edited by: Dimitri Amar

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