Mark Nowicki

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Telecine Colorist

Witchville  (2010)

Directed by: Pearry Reginald Teo
Cinematography by: Ginnin Cheung
Edited by: Jayme Wing

Colorist: Digitally Restored Version

'The X-Files' Trust No 1  (2002)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace

Colorist: Digitally Restored Version

'The X-Files' John Doe  (2002)

Directed by: Michelle MacLaren
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Hellbound  (2002)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Provenance  (2002)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Providence  (2002)

Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace

Colorist: Digitally Restored Version

'The X-Files' Audrey Pauley  (2002)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Underneath  (2002)

Directed by: John Shiban
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Improbable  (2002)

Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace

Colorist: Digitally Restored Version

'The X-Files' Scary Monsters  (2002)

Directed by: Dwight H. Little
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Jump the Shark  (2002)

Directed by: Cliff Bole
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' William  (2002)

Directed by: David Duchovny
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Release  (2002)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Sunshine Days  (2002)

Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Jeff Cahn

Colorist: Digitally Restored Version

'The X-Files' The Truth  (2002)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Surekill  (2001)

Directed by: Terrence O'Hara
Cinematography by: Bill Roe
Edited by: Michael Kewley

Colorist: Digitally Restored Version

'The X-Files' Salvage  (2001)

Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Badlaa  (2001)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Michael Kewley

Colorist: Digitally Restored Version

'The X-Files' The Gift  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Medusa  (2001)

Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Per Manum  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' This Is Not Happening  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Deadalive  (2001)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble

Colorist: Digitally Restored Version

'The X-Files' Three Words  (2001)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble

Colorist: Digitally Restored Version

'The X-Files' Empedocles  (2001)

Directed by: Barry K. Thomas
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Vienen  (2001)

Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Alone  (2001)

Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Essence  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Existence  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Regis Kimble

Colorist: Digitally Restored Version

'The X-Files' Nothing Important Happened Today  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Nothing Important Happened Today II  (2001)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace

Colorist: Digitally Restored Version

'The X-Files' Dæmonicus  (2001)

Directed by: Frank Spotnitz
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' 4-D  (2001)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace

Colorist: Digitally Restored Version

'The X-Files' Lord of the Flies  (2001)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Orison  (2000)

Directed by: Rob Bowman
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' The Amazing Maleeni  (2000)

Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Signs & Wonders  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Sein und Zeit  (2000)

Directed by: Michael W. Watkins
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Closure  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' X-Cops  (2000)

Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' First Person Shooter  (2000)

Directed by: Chris Carter
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Theef  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' En Ami  (2000)

Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Chimera  (2000)

Directed by: Cliff Bole
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' All Things  (2000)

Directed by: Gillian Anderson
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Brand X  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Hollywood A.D.  (2000)

Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Fight Club  (2000)

Directed by: Paul Shapiro
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Je Souhaite  (2000)

Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Requiem  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Within  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Without  (2000)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Patience  (2000)

Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Roadrunners  (2000)

Directed by: Rod Hardy
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Invocation  (2000)

Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Michael Kewley

Colorist: Digitally Restored Version

'The X-Files' Redrum  (2000)

Directed by: Peter Markle
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Via Negativa  (2000)

Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Terms of Endearment  (1999)

Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' The Rain King  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' S.R. 819  (1999)

Directed by: Daniel Sackheim
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Tithonus  (1999)

Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Two Fathers  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' One Son  (1999)

Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Agua Mala  (1999)

Directed by: Rob Bowman
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Monday  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Arcadia  (1999)

Directed by: Michael W. Watkins
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Alpha  (1999)

Directed by: Peter Markle
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Trevor  (1999)

Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Milagro  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' The Unnatural  (1999)

Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Three of a Kind  (1999)

Directed by: Bryan Spicer
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Field Trip  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Biogenesis  (1999)

Directed by: Rob Bowman
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' The Sixth Extinction  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' The Sixth Extinction II: Amor Fati  (1999)

Directed by: Michael W. Watkins
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Hungry  (1999)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Millennium  (1999)

Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Rush  (1999)

Directed by: Robert Lieberman
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' The Goldberg Variation  (1999)

Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Kitsunegari  (1998)

Directed by: Daniel Sackheim
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Schizogeny  (1998)

Directed by: Ralph Hemecker
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Chinga  (1998)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Colorist: Digitally Restored Version

'The X-Files' Kill Switch  (1998)

Directed by: Rob Bowman
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Bad Blood  (1998)

Directed by: Cliff Bole
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Patient X  (1998)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Colorist: Digitally Restored Version

'The X-Files' The Red and the Black  (1998)

Directed by: Chris Carter
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Travelers  (1998)

Directed by: William A. Graham
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Mind's Eye  (1998)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Colorist: Digitally Restored Version

'The X-Files' All Souls  (1998)

Directed by: Allen Coulter
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' The Pine Bluff Variant  (1998)

Directed by: Rob Bowman
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Folie a Deux  (1998)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Colorist: Digitally Restored Version

'The X-Files' The End  (1998)

Directed by: R.W. Goodwin
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' The Beginning  (1998)

Directed by: Kim Manners
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Drive  (1998)

Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Triangle  (1998)

Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Louise Innes

Colorist: Digitally Restored Version

'The X-Files' Dreamland  (1998)

Directed by: Rob Bowman
Cinematography by: Bill Roe

Colorist: Digitally Restored Version

'The X-Files' Dreamland II  (1998)

Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' How the Ghosts Stole Christmas  (1998)

Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham

Colorist - Director's Cut

Cop Land  (1997)

Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay

Colorist: Digitally Restored Version

'The X-Files' El Mundo Gira  (1997)

Directed by: Tucker Gates
Cinematography by: Jon Joffin

Colorist: Digitally Restored Version

'The X-Files' Leonard Betts  (1997)

Directed by: Kim Manners
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Never Again  (1997)

Directed by: Rob Bowman
Cinematography by: Jon Joffin
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Memento Mori  (1997)

Directed by: Rob Bowman
Cinematography by: Joel Ransom
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Kaddish  (1997)

Directed by: Kim Manners
Cinematography by: Jon Joffin
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Unrequited  (1997)

Directed by: Michael Lange
Cinematography by: Joel Ransom
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Tempus Fugit  (1997)

Directed by: Rob Bowman
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Max  (1997)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Synchrony  (1997)

Directed by: Jim Charleston
Cinematography by: Joel Ransom
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Small Potatoes  (1997)

Directed by: Cliff Bole
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Zero Sum  (1997)

Directed by: Kim Manners
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Elegy  (1997)

Directed by: Jim Charleston
Cinematography by: Joel Ransom
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Demons  (1997)

Directed by: Kim Manners
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Gethsemane  (1997)

Directed by: R.W. Goodwin
Cinematography by: Joel Ransom
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Redux  (1997)

Directed by: R.W. Goodwin
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Redux II  (1997)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Unusual Suspects  (1997)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Detour  (1997)

Directed by: Brett Dowler
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Colorist: Digitally Restored Version

'The X-Files' The Post-Modern Prometheus  (1997)

Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Lynne Willingham

Colorist: Digitally Restored Version

'The X-Files' Christmas Carol  (1997)

Directed by: Peter Markle
Cinematography by: Joel Ransom

Colorist: Digitally Restored Version

'The X-Files' Emily  (1997)

Directed by: Kim Manners
Cinematography by: Joel Ransom
Edited by: Casey O. Rohrs

Colorist: Digitally Restored Version

'The X-Files' War of the Coprophages  (1996)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Syzygy  (1996)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Grotesque  (1996)

Directed by: Kim Manners
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Piper Maru  (1996)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Apocrypha  (1996)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Pusher  (1996)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Teso dos Bichos  (1996)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Hell Money  (1996)

Directed by: Tucker Gates
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Jose Chung's 'From Outer Space'  (1996)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Avatar  (1996)

Directed by: Jim Charleston
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Quagmire  (1996)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: Leon Carrere

Colorist: Digitally Restored Version

'The X-Files' Wetwired  (1996)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Talitha Cumi  (1996)

Directed by: R.W. Goodwin
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Herrenvolk  (1996)

Directed by: R.W. Goodwin
Cinematography by: Ron Stannett
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Home  (1996)

Directed by: Kim Manners
Cinematography by: Jon Joffin, Ron Stannett
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Teliko  (1996)

Directed by: Jim Charleston
Cinematography by: Jon Joffin
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Unruhe  (1996)

Directed by: Rob Bowman
Cinematography by: Ron Stannett

Colorist: Digitally Restored Version

'The X-Files' The Field Where I Died  (1996)

Directed by: Rob Bowman
Cinematography by: Jon Joffin

Colorist: Digitally Restored Version

'The X-Files' Sanguinarium  (1996)

Directed by: Kim Manners
Cinematography by: Jon Joffin
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Musings of a Cigarette Smoking Man  (1996)

Directed by: James Wong
Cinematography by: Jon Joffin
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Tunguska  (1996)

Directed by: Kim Manners
Cinematography by: Jon Joffin
Edited by: Michael Stern

Colorist: Digitally Restored Version

'The X-Files' Terma  (1996)

Directed by: Rob Bowman
Cinematography by: Jon Joffin
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Paper Hearts  (1996)

Directed by: Rob Bowman
Cinematography by: Jon Joffin

Colorist: Digitally Restored Version

'The X-Files' Aubrey  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Irresistible  (1995)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Die Hand Die Verletzt  (1995)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Fresh Bones  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Colony  (1995)

Directed by: Nick Marck
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' End Game  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Fearful Symmetry  (1995)

Directed by: James Whitmore Jr.
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Død Kalm  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Humbug  (1995)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' The Calusari  (1995)

Directed by: Michael Vejar
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' F. Emasculata  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Soft Light  (1995)

Directed by: James A. Contner
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Our Town  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Anasazi  (1995)

Directed by: R.W. Goodwin
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' The Blessing Way  (1995)

Directed by: R.W. Goodwin
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Paper Clip  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' D.P.O.  (1995)

Directed by: Kim Manners
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' Clyde Bruckman's Final Repose  (1995)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' The List  (1995)

Directed by: Chris Carter
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' 2Shy  (1995)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' The Walk  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Oubliette  (1995)

Directed by: Kim Manners
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Nisei  (1995)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Jim Gross

Colorist: Digitally Restored Version

'The X-Files' 731  (1995)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Revelations  (1995)

Directed by: David Nutter
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Beyond the Sea  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Gender Bender  (1994)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Lazarus  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Young at Heart  (1994)

Directed by: Michael Lange
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' E.B.E.  (1994)

Directed by: William A. Graham
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Miracle Man  (1994)

Directed by: Michael Lange
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Shapes  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Darkness Falls  (1994)

Directed by: Joe Napolitano
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Tooms  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Born Again  (1994)

Directed by: Jerrold Freedman
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Roland  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' The Erlenmeyer Flask  (1994)

Directed by: R.W. Goodwin
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Little Green Men  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' The Host  (1994)

Directed by: Daniel Sackheim
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Blood  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Sleepless  (1994)

Directed by: Rob Bowman
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Duane Barry  (1994)

Directed by: Chris Carter
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Ascension  (1994)

Directed by: Michael Lange
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' 3  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' One Breath  (1994)

Directed by: R.W. Goodwin
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Firewalker  (1994)

Directed by: David Nutter
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Red Museum  (1994)

Directed by: Win Phelps
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Excelsis Dei  (1994)

Directed by: Stephen Surjik
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist - Digitally Restored Version

'The X-Files' Pilot  (1993)

Directed by: Robert Mandel
Cinematography by: Thomas Del Ruth
Edited by: Stephen Mark

Colorist - Digitally Restored Version

'The X-Files' Deep Throat  (1993)

Directed by: Daniel Sackheim
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Squeeze  (1993)

Directed by: Harry Longstreet
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Conduit  (1993)

Directed by: Daniel Sackheim
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' The Jersey Devil  (1993)

Directed by: Joe Napolitano
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Shadows  (1993)

Directed by: Michael Katleman
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Ghost in the Machine  (1993)

Directed by: Jerrold Freedman
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Ice  (1993)

Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark

Colorist: Digitally Restored Version

'The X-Files' Space  (1993)

Directed by: William A. Graham
Cinematography by: John S. Bartley

Colorist: Digitally Restored Version

'The X-Files' Fallen Angel  (1993)

Directed by: Larry Shaw
Cinematography by: John S. Bartley
Edited by: James Coblentz

Colorist: Digitally Restored Version

'The X-Files' Eve  (1993)

Directed by: Fred Gerber
Cinematography by: John S. Bartley
Edited by: Stephen Mark
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