Bob Witsenhausen

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A Good Reason | ShotOnWhat?

Sound Designer / Sound Mixer

A Good Reason (2018)

Directed by: August Holt Markwardt

Cinematography by: David J. Schweitzer

Edited by: August Holt Markwardt

Cameras: Aaton Penelope Camera

Lenses: Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

The Time That Remains | ShotOnWhat?

Sound Mixer

The Time That Remains (2016)

Directed by: B.T. Crue

Cinematography by: David J. Schweitzer

Edited by: Sean Pollaro

Cameras: Aaton XTR Prod Camera

Lenses: Canon EC Series Lenses

The Ridiculous 6 | ShotOnWhat?

Sound Mixer: Second Unit

The Ridiculous 6 (2015)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Tom Costain

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Made in New Mexico | ShotOnWhat?

Re-recording Mixer / Sound Recordist

Made in New Mexico (2012)

Directed by: Brent Morris, David J. Schweitzer

Cinematography by: David J. Schweitzer

Edited by: David Aubrey, Brent Morris

Cameras: Red Digital Cinema Cameras, Sony PMW-EX3 Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

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