Year Released ~ 1979  |  133 Titles

'The Rockford Files' Never Send a Boy King to Do a Man’s Job: Part 1   (1979)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | Diane Adler, George R. Rohrs

'The Rockford Files' Never Send a Boy King to Do a Man’s Job: Part 2   (1979)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | Diane Adler, George R. Rohrs

'The Rockford Files' A Different Drummer   (1979)

  |  Color  |  60 Minutes
Directed by | Reza Badiyi | Cinematography by | Andrew Jackson | Editing by | Rod Stephens

'The Rockford Files' Paradise Cove   (1979)

  |  Color, Color  |  60 Minutes
Directed by | Stephen J. Cannell | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' Lions, Tigers, Monkeys and Dogs: Part 1   (1979)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' Lions, Tigers, Monkeys and Dogs: Part 2   (1979)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' Only Rock ‘n’ Roll Will Never Die: Part 1   (1979)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | Diane Adler

'The Rockford Files' Only Rock ‘n’ Roll Will Never Die: Part 2   (1979)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | Diane Adler

Sunnyside   (1979)

  |    |    |  100 Minutes
Directed by | Timothy Galfas | Cinematography by | Gary Graver | Editing by | Herbert H. Dow

Alien   (1979)

  |    |    |  117 Minutes

The Great Train Robbery   (1978)

  |  Black and White, Color  |  110 Minutes

Heartland   (1979)

  |  Color  |  96 Minutes
Directed by | Richard Pearce | Cinematography by | Fred Murphy | Editing by | Bill Yahraus

S.O.S. Titanic   (1979)

  |  Black and White, Color, Color  |  180 Minutes
Directed by | William Hale | Cinematography by | Christopher Challis | Editing by | Rusty Coppleman

All That Jazz   (1979)

  |    |  Color  |    |  123 Minutes
Directed by | Bob Fosse | Cinematography by | Giuseppe Rotunno | Editing by | Alan Heim
Cameras |

The Capture of Bigfoot   (1979)

  |    |  Color  |    |  92 Minutes

City on Fire   (1979)

  |    |  Color  |    |  106 Minutes
Directed by | Alvin Rakoff | Cinematography by | René Verzier
Cameras |

Angi Vera   (1979)

  |    |  Color  |    |  96 Minutes
Directed by | Pál Gábor | Cinematography by | Lajos Koltai | Editing by | Éva Kármentõ
Cameras |

Up from the Depths   (1979)

  |  Color  |  85 Minutes
Directed by | Charles B. Griffith | Cinematography by | Ricardo Remias | Editing by | Gervacio Santos, R.J. Kizer

More American Graffiti   (1979)

  |    |  Color  |  , ,   |  110 Minutes
Directed by | Bill Norton | Cinematography by | Caleb Deschanel | Editing by | Tina Hirsch, Duwayne Dunham, Marcia Lucas
Cameras |

When a Stranger Calls   (1979)

  |    |  Color  |    |  97 Minutes
Directed by | Fred Walton | Cinematography by | Donald Peterman | Editing by | Sam Vitale
Cameras |

Learn More