Marcus Starling

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Napoleon | ShotOnWhat?

Department Manager: MPC

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Sonic the Hedgehog 2 | ShotOnWhat?

Software R&D Manager: Visual Effects / Visual Effects

Sonic the Hedgehog 2 (2022)

Directed by: Jeff Fowler

Cinematography by: Brandon Trost

Edited by: Jim May

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Guillermo del Toro's Pinocchio | ShotOnWhat?

Visual Effects

Guillermo del Toro's Pinocchio (2022)

Movie

Directed by: Guillermo del Toro, Mark Gustafson

Cinematography by: Frank Passingham

Edited by: Holly Klein, Ken Schretzmann

Cameras: Canon EOS-1D Mark IV Camera

RRR | ShotOnWhat?

Visual Effects

RRR (2022)

Movie

Directed by: S.S. Rajamouli

Cinematography by: KK Senthil Kumar

Edited by: A. Sreekar Prasad

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses

The Last Duel | ShotOnWhat?

Visual Effects

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

House of Gucci | ShotOnWhat?

Visual Effects

House of Gucci (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

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