Guillaume Noel

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Paddington 2 | ShotOnWhat?

Digital Compositor

Paddington 2 (2017)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Blue Is the Warmest Color | ShotOnWhat?

Digital Compositor

Blue Is the Warmest Color (2013)

Directed by: Abdellatif Kechiche

Cinematography by: Sofian El Fani

Edited by: Sophie Brunet, Ghalia Lacroix, Albertine Lastera, Jean-Marie Lengelle, Camille Toubkis

Cameras: Canon EOS-C300 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

Rust and Bone | ShotOnWhat?

Visual Effects Coordinator

Rust and Bone (2012)

Directed by: Jacques Audiard

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Visual Effects Coordinator

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

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