Alexandra Pocquet

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Music Hole | ShotOnWhat?

Colorist

Music Hole (2021)

Directed by: Gaëtan Lekens, David Mutzenmacher

Cinematography by: Bruno Degrave

Edited by: Alexandre Adam

Cameras: Red Monstro 8K Camera

Lenses: Cooke S7/i 100mm T2.0 Lens, Cooke S7/i 135mm T2.0 Lens, Cooke S7/i 18mm T2.0 Lens, Cooke S7/i 25mm T2.0 Lens, Cooke S7/i 32mm T2.0 Lens, Cooke S7/i 50mm T2.0 Lens, Cooke S7/i 75mm T2.0 Lens

Le dernier des injustes | ShotOnWhat?

Colorist

Le dernier des injustes (2013)

Directed by: Claude Lanzmann

Cinematography by: Caroline Champetier, William Lubtchansky

Edited by: Chantal Hymans

Cameras: Aaton Penelope Camera, Aaton Xterà Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens

Fu cheng mi shi | ShotOnWhat?

Colorist

Fu cheng mi shi (2012)

Directed by: Ye Lou

Cinematography by: Jian Zeng

Edited by: Simon Jacquet

Cameras: ARRI ALEXA Camera

Holy Motors | ShotOnWhat?

Colorist

Holy Motors (2012)

Directed by: Leos Carax

Cinematography by: Yves Cape, Caroline Champetier

Edited by: Nelly Quettier

Cameras: Red Epic Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Eros | ShotOnWhat?

Scanning Technician: Mikros Image - Segment "The Hand"

Eros (2004)

Directed by: Michelangelo Antonioni, Steven Soderbergh, Kar-Wai Wong

Cinematography by: Christopher Doyle, Marco Pontecorvo, Steven Soderbergh

Edited by: William Chang, Claudio Di Mauro, Steven Soderbergh

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