Orchestrator
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
Orchestrator
Seven Thieves (1960)
Directed by: Henry Hathaway
Cinematography by: Sam Leavitt
Edited by: Dorothy Spencer
Orchestrator
Spartacus (1960)
Directed by: Stanley Kubrick
Cinematography by: Russell Metty
Cameras: Technirama Camera
Orchestrator
The Story on Page One (1959)
Directed by: Clifford Odets
Cinematography by: James Wong Howe
Edited by: Hugh S. Fowler
Orchestrator
These Thousand Hills (1959)
Directed by: Richard Fleischer
Cinematography by: Charles G. Clarke
Edited by: Hugh S. Fowler
Orchestrator
Warlock (1959)
Directed by: Edward Dmytryk
Cinematography by: Joseph MacDonald
Edited by: Jack W. Holmes
Orchestrator
The Diary of Anne Frank (1959)
Directed by: George Stevens
Cinematography by: William C. Mellor
Orchestrator
The Young Lions (1958)
Directed by: Edward Dmytryk
Cinematography by: Joseph MacDonald
Edited by: Dorothy Spencer
Orchestrator
South Pacific (1958)
Directed by: Joshua Logan
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Cameras: Todd-AO 65mm Camera
Orchestrator
Rally 'Round the Flag, Boys! (1958)
Directed by: Leo McCarey
Cinematography by: Leon Shamroy
Edited by: Louis R. Loeffler
Orchestrator
The Barbarian and the Geisha (1958)
Directed by: John Huston
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Orchestrator
The True Story of Jesse James (1957)
Directed by: Nicholas Ray
Cinematography by: Joseph MacDonald
Edited by: Robert L. Simpson
Orchestrator
An Affair to Remember (1957)
Directed by: Leo McCarey
Cinematography by: Milton R. Krasner
Edited by: James B. Clark
Orchestrator
The Three Faces of Eve (1957)
Directed by: Nunnally Johnson
Cinematography by: Stanley Cortez
Edited by: Marjorie Fowler
Orchestrator
The Enemy Below (1957)
Directed by: Dick Powell
Cinematography by: Harold Rosson
Edited by: Stuart Gilmore
Orchestrator
The Sun Also Rises (1957)
Directed by: Henry King
Cinematography by: Leo Tover
Edited by: William Mace
Orchestrator
Stopover Tokyo (1957)
Directed by: Richard L. Breen
Cinematography by: Charles G. Clarke
Edited by: Marjorie Fowler
Orchestrator
Kiss Them for Me (1957)
Directed by: Stanley Donen
Cinematography by: Milton R. Krasner
Edited by: Robert L. Simpson
Orchestrator
Desk Set (1957)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Orchestrator
Love Me Tender (1956)
Directed by: Robert D. Webb
Cinematography by: Leo Tover
Edited by: Hugh S. Fowler
Orchestration
Anastasia (1956)
Directed by: Anatole Litvak
Cinematography by: Jack Hildyard
Edited by: Bert Bates
Orchestrator
The Girl Can't Help It (1956)
Directed by: Frank Tashlin
Cinematography by: Leon Shamroy
Edited by: James B. Clark
Orchestration
Between Heaven and Hell (1956)
Directed by: Richard Fleischer
Cinematography by: Leo Tover
Edited by: James B. Clark
Orchestrator
The King and I (1956)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Lenses: Bausch & Lomb Lenses
Orchestrator
Bigger Than Life (1956)
Directed by: Nicholas Ray
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
Orchestrator
Bus Stop (1956)
Directed by: Joshua Logan
Cinematography by: Milton R. Krasner
Edited by: William Reynolds
Orchestrator
Carousel (1956)
Directed by: Henry King
Cinematography by: Charles G. Clarke
Edited by: William Reynolds
Orchestrator
Seven Cities of Gold (1955)
Directed by: Robert D. Webb
Cinematography by: Lucien Ballard
Edited by: Hugh S. Fowler
Orchestrator
Soldier of Fortune (1955)
Directed by: Edward Dmytryk
Cinematography by: Leo Tover
Edited by: Dorothy Spencer
Orchestrator
The Girl in the Red Velvet Swing (1955)
Directed by: Richard Fleischer
Cinematography by: Milton R. Krasner
Edited by: William Mace
Orchestrator
House of Bamboo (1955)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Orchestrator
The Seven Year Itch (1955)
Directed by: Billy Wilder
Cinematography by: Milton R. Krasner
Edited by: Hugh S. Fowler
Lenses: Bausch & Lomb Lenses
Orchestration
Daddy Long Legs (1955)
Directed by: Jean Negulesco
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Orchestrator
Love Is a Many-Splendored Thing (1955)
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Orchestrator
The Tall Men (1955)
Directed by: Raoul Walsh
Cinematography by: Leo Tover
Edited by: Louis R. Loeffler
Orchestrator
The Racers (1955)
Directed by: Henry Hathaway
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Orchestration
Demetrius and the Gladiators (1954)
Directed by: Delmer Daves
Cinematography by: Milton R. Krasner
Orchestrator
There's No Business Like Show Business (1954)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Orchestrator
River of No Return (1954)
Cinematography by: Joseph LaShelle
Edited by: Louis R. Loeffler
Lenses: Bausch & Lomb Lenses
Orchestrator
Hell and High Water (1954)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Orchestration
Prince Valiant (1954)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Edited by: Robert L. Simpson
Orchestration
Three Coins in the Fountain (1954)
Directed by: Jean Negulesco
Cinematography by: Milton R. Krasner
Edited by: William Reynolds
Orchestrator
How to Marry a Millionaire (1953)
Directed by: Jean Negulesco
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
Orchestrator
On the Riviera (1951)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: J. Watson Webb Jr.
Orchestration , Orchestrator
All About Eve (1950)
Directed by: Joseph L. Mankiewicz
Cinematography by: Milton R. Krasner
Edited by: Barbara McLean
Orchestral Arranger
A Letter to Three Wives (1949)
Directed by: Joseph L. Mankiewicz
Cinematography by: Arthur C. Miller
Edited by: J. Watson Webb Jr.
Orchestral Arrangements
Gentleman's Agreement (1947)
Directed by: Elia Kazan
Cinematography by: Arthur C. Miller
Orchestrator
The Best Years of Our Lives (1946)
Directed by: William Wyler
Cinematography by: Gregg Toland
Edited by: Daniel Mandell
Orchestrator
Leave Her to Heaven (1945)
Directed by: John M. Stahl
Cinematography by: Leon Shamroy
Edited by: James B. Clark
Cameras: Technicolor 3-Strip Camera
Orchestrator
Wilson (1944)
Directed by: Henry King
Edited by: Barbara McLean
Cameras: Technicolor 3-Strip Camera
Orchestrator
The Black Swan (1942)
Directed by: Henry King
Cinematography by: Leon Shamroy
Edited by: Barbara McLean
Cameras: Technicolor Cameras
Orchestrator
How Green Was My Valley (1941)
Directed by: John Ford
Cinematography by: Arthur C. Miller
Edited by: James B. Clark
Orchestrator
Blood and Sand (1941)
Directed by: Rouben Mamoulian
Edited by: Robert Bischoff
Cameras: Technicolor 3-Strip Camera
Orchestrator
Foreign Correspondent (1940)
Directed by: Alfred Hitchcock
Cinematography by: Rudolph Maté
Edited by: Dorothy Spencer
Orchestrator
Wuthering Heights (1939)
Directed by: William Wyler
Cinematography by: Gregg Toland
Edited by: Daniel Mandell
