Giuseppe Squillaci

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Tell It Like a Woman | ShotOnWhat?

Visual Effects Producer

Tell It Like a Woman (2022)

Directed by: Lucia Bulgheroni, Silvia Carobbio, Catherine Hardwicke, Taraji P. Henson, Mipo Oh, Lucía Puenzo, Maria Sole Tognazzi, Leena Yadav

Cinematography by: Aseem Bajaj, Paul M. Sommers

Edited by: Josie Azzam, Anne-Sophie Bion

Più buio di mezzanotte | ShotOnWhat?

Visual Effects Supervisor

Più buio di mezzanotte (2014)

Directed by: Sebastiano Riso

Cinematography by: Piero Basso

Edited by: Marco Spoletini

Cameras: ARRI ALEXA Studio Camera

Lenses: Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens

Tutti al mare | ShotOnWhat?

Visual Effects Supervisor

Tutti al mare (2011)

Directed by: Matteo Cerami

Cinematography by: Maurizio Calvesi

Edited by: Patrizio Marone, Anna Rosa Napoli

Dominion: Prequel to the Exorcist | ShotOnWhat?

Pre-visualization: Proxima

Dominion: Prequel to the Exorcist (2005)

Directed by: Paul Schrader

Cinematography by: Vittorio Storaro

Edited by: Tim Silano, William Yeh

The Life Aquatic with Steve Zissou | ShotOnWhat?

Digital Artist: Proxima

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

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