Composer, Sound
Leviathan (2014)
Directed by: Andrey Zvyagintsev
Cinematography by: Mikhail Krichman
Edited by: Anna Mass
Cameras: ARRIFLEX Camera
Lenses: Zeiss Master Prime Lenses
Foley Recording Supervisor/foley Recordist
Stalingrad (2013)
Directed by: Fedor Bondarchuk
Cinematography by: Maksim Osadchiy-Korytkovskiy
Edited by: Igor Litoninskiy
Cameras: Red Epic Camera
Composer, Sound
Silent Ones (2013)
Directed by: Ricky Rijneke
Cameras: Aaton Penelope Camera
Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Editing System: Final Cut Pro Editing System
Composer
The Return (2003)
Directed by: Andrey Zvyagintsev
Cinematography by: Mikhail Krichman
Edited by: Vladimir Mogilevskiy
