Recording Supervisor
Hell in the Pacific (1968)
Directed by: John Boorman
Cinematography by: Conrad L. Hall
Edited by: Thomas Stanford
Sound Supervisor
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
Sound
The Apartment (1960)
Directed by: Billy Wilder
Cinematography by: Joseph LaShelle
Edited by: Daniel Mandell
Cameras: Mitchell Cameras
Supervising Sound Editor
The Best Years of Our Lives (1946)
Directed by: William Wyler
Cinematography by: Gregg Toland
Edited by: Daniel Mandell
Supervising Sound Editor
Gone with the Wind (1939)
Cameras: Technicolor 3-Strip Camera
Lenses: Bausch & Lomb Lenses