Re-recording Supervisor
Hell in the Pacific (1968)
Directed by: John Boorman
Cinematography by: Conrad L. Hall
Edited by: Thomas Stanford
Sound Re-recordist
The Party (1968)
Directed by: Blake Edwards
Cinematography by: Lucien Ballard
Edited by: Ralph E. Winters
Cameras: Panavision Cameras
Rerecordist
In the Heat of the Night (1967)
Directed by: Norman Jewison
Cinematography by: Haskell Wexler
Edited by: Hal Ashby
Sound Re-recordist
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
Sound
She Wore a Yellow Ribbon (1949)
Directed by: John Ford
Cinematography by: Winton C. Hoch
Edited by: Jack Murray
Cameras: Mitchell BNC Camera
Sound Re-recordist
Notorious (1946)
Directed by: Alfred Hitchcock
Cinematography by: Ted Tetzlaff
Edited by: Theron Warth
Sound Re-recordist
Citizen Kane (1941)
Directed by: Orson Welles
Cinematography by: Gregg Toland
Edited by: Robert Wise
Cameras: Mitchell BNC Camera
Lenses: Cooke Speed Panchro Lenses
Editing System: Moviola Editing System
Re-recording Mixer
King Kong (1933)
Edited by: Ted Cheesman
Cameras: Mitchell Standard Camera
Editing System: Moviola Editing System
Sound Recordist
Cimarron (1931)
Directed by: Wesley Ruggles
Cinematography by: Edward Cronjager
Edited by: William Hamilton
