Robert Hall

6 Titles

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The Lost Boys | ShotOnWhat?

Optical Supervisor

The Lost Boys (1987)

Directed by: Joel Schumacher

Cinematography by: Michael Chapman

Edited by: Robert Brown

Predator | ShotOnWhat?

Optical Supervisor

Predator (1987)

Directed by: John McTiernan

Cinematography by: Donald McAlpine

Edited by: Mark Helfrich, John F. Link

Cameras: ARRIFLEX 35 III Camera, Panavision Cameras

The Fly | ShotOnWhat?

Optical Compositing

The Fly (1986)

Directed by: David Cronenberg

Cinematography by: Mark Irwin

Edited by: Ronald Sanders

Cameras: ARRIFLEX Camera

Brainstorm | ShotOnWhat?

Optical Effects Supervisor: Entertainment Effects Group

Brainstorm (1983)

Directed by: Douglas Trumbull

Cinematography by: Richard Yuricich

Edited by: Freeman A. Davies, Edward Warschilka

Cameras: Panavision Panaflex Camera, Super Panavision-70 Camera

Blade Runner | ShotOnWhat?

Optical Photography Supervisor: EEG

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Close Encounters of the Third Kind | ShotOnWhat?

Optical Photography

Close Encounters of the Third Kind (1977)

Directed by: Steven Spielberg

Cinematography by: Vilmos Zsigmond

Edited by: Michael Kahn

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

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