Conor Hockley

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The Beekeeper | ShotOnWhat?

Special Effects Technician

The Beekeeper (2024)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Geoffrey O'Brien

Cameras: ARRI Alexa 35 Camera

The Last Duel | ShotOnWhat?

Special Effects Workshop Assistant

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

All the Money in the World | ShotOnWhat?

Special Effects Technician

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

The Mummy | ShotOnWhat?

Special Effects Trainee

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

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