Special Effects Supervisor
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by: Alejandro G. Iñárritu
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA 65 Camera
Special Effects Supervisor
Roma (2018)
Directed by: Alfonso Cuarón
Cinematography by: Alfonso Cuarón
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime 65 Lenses
Special Effects Coordinator
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Special Effects Coordinator
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Special Effects
Somos lo que hay (2010)
Directed by: Jorge Michel Grau
Cinematography by: Santiago Sanchez
Edited by: Rodrigo Ríos
Special Effects Foreman
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Special Effects
Walking Vengeance (2008)
Directed by: Agustín Díaz Yanes
Cinematography by: Paco Femenia
Edited by: José Salcedo
Special Effects Supervisor
Efectos secundarios (2006)
Directed by: Issa López
Cinematography by: Carlos Aguilera
Edited by: Jorge García
Special Effects Coordinator
KM 31: Kilómetro 31 (2006)
Directed by: Rigoberto Castañeda
Cinematography by: Alejandro Martínez
Edited by: Alberto de Toro
Effects Supervisor , Special Effects Supervisor
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Special Effects Coordinator
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects
El tigre de Santa Julia (2002)
Directed by: Alejandro Gamboa
Cinematography by: Alfredo Kassem
Edited by: Óscar Figueroa
Special Effects
Y Tu Mamá También (2001)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Super Speed Lenses
Special Effects Coordinator: Effeccine
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Special Effects Coordinator
Amores Perros (2000)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Cameras: Moviecam Superlight Camera
Special Effects
Herod's Law (1999)
Directed by: Luis Estrada
Cinematography by: Norman Christianson
Edited by: Luis Estrada
