Color Consultant
Cleopatra (1963)
Directed by: Joseph L. Mankiewicz
Cameras: Todd-AO 65mm Camera
Lenses: Todd-AO Lenses
Color Consultant
These Thousand Hills (1959)
Directed by: Richard Fleischer
Cinematography by: Charles G. Clarke
Edited by: Hugh S. Fowler
Color Consultant
The Best of Everything (1959)
Directed by: Jean Negulesco
Cinematography by: William C. Mellor
Edited by: Robert L. Simpson
Color Consultant
Holiday for Lovers (1959)
Directed by: Henry Levin
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Color Consultant
Journey to the Center of the Earth (1959)
Directed by: Henry Levin
Cinematography by: Leo Tover
Color Consultant
The Remarkable Mr. Pennypacker (1959)
Directed by: Henry Levin
Cinematography by: Milton R. Krasner
Edited by: William Mace
Color Consultant
Warlock (1959)
Directed by: Edward Dmytryk
Cinematography by: Joseph MacDonald
Edited by: Jack W. Holmes
Color Consultant
The Long, Hot Summer (1958)
Directed by: Martin Ritt
Cinematography by: Joseph LaShelle
Edited by: Louis R. Loeffler
Color Consultant
Rally 'Round the Flag, Boys! (1958)
Directed by: Leo McCarey
Cinematography by: Leon Shamroy
Edited by: Louis R. Loeffler
Technicolor Color Consultant
South Pacific (1958)
Directed by: Joshua Logan
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Cameras: Todd-AO 65mm Camera
Color Consultant
The Hunters (1958)
Directed by: Dick Powell
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Color Consultant
The Barbarian and the Geisha (1958)
Directed by: John Huston
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Color Consultant
The Bravados (1958)
Directed by: Henry King
Cinematography by: Leon Shamroy
Edited by: William Mace
Color Consultant
An Affair to Remember (1957)
Directed by: Leo McCarey
Cinematography by: Milton R. Krasner
Edited by: James B. Clark
Color Consultant
The True Story of Jesse James (1957)
Directed by: Nicholas Ray
Cinematography by: Joseph MacDonald
Edited by: Robert L. Simpson
Color Consultant
The Sun Also Rises (1957)
Directed by: Henry King
Cinematography by: Leo Tover
Edited by: William Mace
Color Consultant
Kiss Them for Me (1957)
Directed by: Stanley Donen
Cinematography by: Milton R. Krasner
Edited by: Robert L. Simpson
Color Consultant
Desk Set (1957)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Color Consultant
The Enemy Below (1957)
Directed by: Dick Powell
Cinematography by: Harold Rosson
Edited by: Stuart Gilmore
Color Consultant
Carousel (1956)
Directed by: Henry King
Cinematography by: Charles G. Clarke
Edited by: William Reynolds
Color Consultant
The Girl Can't Help It (1956)
Directed by: Frank Tashlin
Cinematography by: Leon Shamroy
Edited by: James B. Clark
Color Consultant
Between Heaven and Hell (1956)
Directed by: Richard Fleischer
Cinematography by: Leo Tover
Edited by: James B. Clark
Color Consultant
The King and I (1956)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Lenses: Bausch & Lomb Lenses
Color Consultant
Bigger Than Life (1956)
Directed by: Nicholas Ray
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
Color Consultant
Bus Stop (1956)
Directed by: Joshua Logan
Cinematography by: Milton R. Krasner
Edited by: William Reynolds
Color Consultant
The Proud Ones (1956)
Directed by: Robert D. Webb
Cinematography by: Lucien Ballard
Edited by: Hugh S. Fowler
Color Consultant
D-Day the Sixth of June (1956)
Directed by: Henry Koster
Cinematography by: Lee Garmes
Edited by: William Mace
Color Consultant
The Man in the Gray Flannel Suit (1956)
Directed by: Nunnally Johnson
Cinematography by: Charles G. Clarke
Edited by: Dorothy Spencer
Color Consultant
The Seven Year Itch (1955)
Directed by: Billy Wilder
Cinematography by: Milton R. Krasner
Edited by: Hugh S. Fowler
Lenses: Bausch & Lomb Lenses
Color Consultant
The Girl in the Red Velvet Swing (1955)
Directed by: Richard Fleischer
Cinematography by: Milton R. Krasner
Edited by: William Mace
Color Consultant
House of Bamboo (1955)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Color Consultant
Soldier of Fortune (1955)
Directed by: Edward Dmytryk
Cinematography by: Leo Tover
Edited by: Dorothy Spencer
Color Consultant
Daddy Long Legs (1955)
Directed by: Jean Negulesco
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Color Consultant
The Tall Men (1955)
Directed by: Raoul Walsh
Cinematography by: Leo Tover
Edited by: Louis R. Loeffler
Color Consultant
The Racers (1955)
Directed by: Henry Hathaway
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Color Consultant
Love Is a Many-Splendored Thing (1955)
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Color Consultant
Seven Cities of Gold (1955)
Directed by: Robert D. Webb
Cinematography by: Lucien Ballard
Edited by: Hugh S. Fowler
Technicolor Color Consultant
River of No Return (1954)
Cinematography by: Joseph LaShelle
Edited by: Louis R. Loeffler
Lenses: Bausch & Lomb Lenses
Technicolor Color Consultant
Demetrius and the Gladiators (1954)
Directed by: Delmer Daves
Cinematography by: Milton R. Krasner
Color Consultant
There's No Business Like Show Business (1954)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Technicolor Color Consultant
Prince Valiant (1954)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Edited by: Robert L. Simpson
Color Consultant
Three Coins in the Fountain (1954)
Directed by: Jean Negulesco
Cinematography by: Milton R. Krasner
Edited by: William Reynolds
Technicolor Color Consultant
Hell and High Water (1954)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Technicolor Color Consultant
How to Marry a Millionaire (1953)
Directed by: Jean Negulesco
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
Technicolor Color Consultant
On the Riviera (1951)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: J. Watson Webb Jr.
